Liberal Arts Gateway

Courses 

Philosophy, Religion, & Humanities

Courses in Philosophy

Introduction to Philosophy – Philosophy 1302

Introduction to Philosophy by Way of the Concept of Gender, Bryan Register

In this class, students will study issues about nature, knowledge, and language, organized around making controversies about gender intelligible. Consider an adult human being who sincerely utters “I am a woman.” What has the person tried to do, and under what circumstances are they successful? Has the person tried to state a fact, or have they engaged in a performance? If a fact, a fact about nature, or a fact about culture or society? How could the person know whether what they said is true? Together, we’re going to go about philosophy the natural way: by starting with what seems like an immediate, practical question but finding that we’re already involved in a mystery.

The Philosophy of Horror, Melissa Foote

This course will explore philosophical content depicted in horror films, television, and literature. As a genre, horror has always explored philosophical themes and concepts, often demonstrating various viewpoints and perspectives in fresh and intriguing ways. Horror forces us to confront our own mortality, the purpose of life, our value priorities, what we ought to do in morally challenging situations, our obligations to one another, how to deal with our existential dread, and more.

With the ever-rising popularity of horror, this class is poised to provide an interesting framework for philosophical discussion and investigation. Horror possesses ties to diverse backgrounds, cultures, identities, and perspectives. We will be reading/watching horror from a wide variety of creators, including a focus on black, queer, indigenous, feminist, and non-Western horror. Over the course of the semester, we will investigate why the horror genre provides us with a unique window into our humanity. We will also explore why we are drawn to horror, and all its unpleasantness. Why do we enjoy watching violence, death, torture, despair, destruction, and evilness? What does that teach us about ourselves?

Ethics – Philosophy 2306

Ethics with Global Studies Focus, Linda Cox

In this Global Ethics course, students will delve into challenging and complex moral questions and explore possible solutions from a variety of global perspectives.  They’ll build an ethical toolbox to look at global approaches to social issues such as criminal justice, animal rights and interests, healthcare, and hunger.  And then they’ll collaborate in a game where groups use their creative and critical thinking skills to build an ethical society–and then encounter unforeseen crises that challenge their ethical thinking along the way!

Health, Sickness, and the Mysteries of Living a Good Life, Aran Gharibpour

Societies’ conflicting perceptions of health have been used as an excuse for disempowerment, silencing, and homogenization of individuals: women sent to mental institutions for what we now consider normal hormonal fluctuations; various sexual expressions shunned with the charge of being “sick” and “perverted”; and risk-taking, eccentric lives suppressed with similar labels to pave way for manufacturing fundamentally submissive and obedient citizens. And yet, erasing the distinction between healthy and unhealthy in the name of inclusion of diverse ways of life may also lead to catastrophic consequences. In this course, we get to the depths of this strange concept: What is health and who has the authority to answer that question?

Even with a satisfying conception of health, though, it is unclear that living a “healthy” life is equal to living a “good” life.  Shouldn’t we consider sickness, pain, weird obsessions, self-imposed suffering, and deviations from the norms necessary for enjoyment, fulfillment, progress, and self-actualization of human beings? What if living an ethically excellent life requires the sacrifice of our health, or even our lives? To figure all this mess out, we will read strange historical accounts and thought-provoking philosophical texts, chat with psychiatrists and death doulas, and partake in lively discussions and creative writing projects.

Justice and Equality: Theory and Practice, J. Wade Allen

Students will be introduced to the principles of morality through a critical examination of various ethical theories. In this particular course, we will be looking to apply those theories to issues of justice and equality. We will (1) be addressing the philosophical tools to solve ethical problems, while also reviewing the topic of moral skepticism and an analysis of justice from Plato’s Republic, (2) we’ll address a number of traditional and non-traditional ethical theories and think about their impact on issues related to justice, (3) we will address philosophical concepts of justice and how they apply to societal issues, and, finally, (4) students will make use of what they have learned to create their own group or individual arguments about particular issues related to justice and equality, which they will present to the rest of the class.

Personal Ethics: Using Traditional and Contemporary Ethical Approaches to Develop and Strengthen Your Own Approach to Moral Problems, Sherry Blum

 

Students will be introduced to the principles of morality through study of various traditional and contemporary ethical approaches and a variety of philosophical tools, and applying those approaches and tools to scenarios that occur in one’s personal life, with particular focus on the themes of Consumption, Contribution, and Commitment. Over the course of the semester, students will write papers related to each of those themes, and at the end of the semester students will, using the materials in the course, formulate and discuss with classmates their strategy for dealing with moral problems.

What is Human Nature?, Aran Gharibpour

This course is centered around the theme “What is Human Nature?”  Through a philosophically informed, interdisciplinary inquiry, we discuss questions such as: Is there such a thing as human nature? Does evolutionary biology debunk the concept? Does the concept of human nature leave any room for cultural diversity? How does our understanding of the concept shape our criminal justice system, economic structure, and political institutions? Does having a coherent concept of human nature help us live a more fulfilling life? Does believing in human nature mean we don’t have free will?

Courses in Humanities

Humanities: Renaissance to the Present – HUMA 1302

Exploring Global Influence in the Western World, Kerri Pope

This course explores the global influences on Western culture, innovation, and art.  Students in this course make connections between European innovations and artworks and explore the role Colonialism plays in the dissemination and discussion of global culture.  

Give Peace a Chance, Sarah Bowman

This course will focus on close readings of texts and analysis of works of art from creators from around the world who have advocated for peace, social justice, and nonviolent solutions to conflict. Give Peace a Chance will also integrate interactive exercises such as role-playing in which students can explore different conflict styles, practice nonviolent communication, and strategize ways to implement conflict transformation processes. While the study of violence is never far from the study of peace, this course aims to emphasize the works of individuals since the Early Modern period who have focused their creative output and social interventions on ways to develop a more peaceful, equitable world. This course is also part of ACC’s Peace and Conflict Studies Program.

Of Monsters and Madness, Madeline Kinkel

This Humanities survey course examines historical and cultural depictions of monsters in literature, art, film, and other mediums. We take as our starting point the idea that monsters are embodiments of cultural anxieties, asking what we can learn from the things we fear. The course attends to the ways that people are caricatured and depicted through monstrosity, paying special attention to the connection between monsters and madness. From Mary Shelley’s Frankenstein to the Twilight films, among others, this course asks what we learn about our cultures and ourselves through the monsters we create.

What is Freedom? Kathleen Reeves

“What is Freedom?” surveys cultural works from the Renaissance to the present that are concerned with the nature of freedom, broadly defined. How is freedom achieved? Is it a quality or an action? How is it related to individuals and communities? Is freedom ever undesirable (do people ever desire to be free of freedom)? Possible texts range from Renaissance sonnets which ask how romantic love (or divine love) is related to freedom, to utopias, to paintings depicting national revolutionary struggles, to essays, visual art, and literature related to the many freedom struggles of the 20th and 21st centuries.

The Arts in Contemporary Society – HUMA 1315

Science Fiction in Literature and Media Arts, Jean Lauer

In this course, students will have the opportunity to delve into the genre of science fiction in a variety of media, from “classic” texts like Shelley’s Frankenstein to contemporary media including graphic novels, films, television, and other visual arts. Together the class will explore and discuss genre conventions, adaptations, diverse and global voices, and more.

Strategies for Diversifying Exhibition, Jean Lauer

An introductory course designed to enhance a student’s understanding and appreciation of the modes of communicating ideas and emotions through the visual and performing arts. This section focuses on how contemporary museums, festivals, and archives engage the public in arts and culture.

Courses in Philosophy

Ethics – Philosophy 2306

Ethics with Global Studies Focus, Linda Cox

In this Global Ethics course, students will delve into challenging and complex moral questions and explore possible solutions from a variety of global perspectives.  They’ll build an ethical toolbox to look at global approaches to social issues such as criminal justice, animal rights and interests, healthcare, and hunger.  And then they’ll collaborate in a game where groups use their creative and critical thinking skills to build an ethical society–and then encounter unforeseen crises that challenge their ethical thinking along the way!

Justice and Equality: Theory and Practice, J. Wade Allen

Students will be introduced to the principles of morality through a critical examination of various ethical theories. In this particular course, we will be looking to apply those theories to issues of justice and equality. We will (1) be addressing the philosophical tools to solve ethical problems, while also reviewing the topic of moral skepticism and an analysis of justice from Plato’s Republic, (2) we’ll address a number of traditional and non-traditional ethical theories and think about their impact on issues related to justice, (3) we will address philosophical concepts of justice and how they apply to societal issues, and, finally, (4) students will make use of what they have learned to create their own group or individual arguments about particular issues related to justice and equality, which they will present to the rest of the class.

Personal Ethics: Using Traditional and Contemporary Ethical Approaches to Develop and Strengthen Your Own Approach to Moral Problems, Sherry Blum

 

Students will be introduced to the principles of morality through study of various traditional and contemporary ethical approaches and a variety of philosophical tools, and applying those approaches and tools to scenarios that occur in one’s personal life, with particular focus on the themes of Consumption, Contribution, and Commitment. Over the course of the semester, students will write papers related to each of those themes, and at the end of the semester students will, using the materials in the course, formulate and discuss with classmates their strategy for dealing with moral problems.

What is Human Nature?, Aran Gharibpour

This course is centered around the theme “What is Human Nature?”  Through a philosophically informed, interdisciplinary inquiry, we discuss questions such as: Is there such a thing as human nature? Does evolutionary biology debunk the concept? Does the concept of human nature leave any room for cultural diversity? How does our understanding of the concept shape our criminal justice system, economic structure, and political institutions? Does having a coherent concept of human nature help us live a more fulfilling life? Does believing in human nature mean we don’t have free will?

Courses in Humanities

Humanities: Renaissance to the Present – HUMA 1302

Exploring Global Influence in the Western World, Kerri Pope

This course explores the global influences on Western culture, innovation, and art.  Students in this course make connections between European innovations and artworks and explore the role Colonialism plays in the dissemination and discussion of global culture.  

Give Peace a Chance, Sarah Bowman

This course focuses on social issues throughout history from a global perspective. In addition to learning about historical and cultural shifts since the Renaissance, students closely read and analyze works of art from creators who have advocated for peace, social justice, and nonviolent solutions to conflict. Many approaches to history focus on conflict, war, and oppression and many cultural artifacts have been created that glorify war and conquest. While the study of violence is never far from the study of peace, this course aims to emphasize individuals within social movements since the Renaissance who have focused their creative output and social interventions on ways to develop a more peaceful, equitable world.

Of Monsters and Madness, Madeline Kinkel

This Humanities survey course examines historical and cultural depictions of monsters in literature, art, film, and other mediums. We take as our starting point the idea that monsters are embodiments of cultural anxieties, asking what we can learn from the things we fear. The course attends to the ways that marginalized people have been caricatured and depicted through monstrosity, paying special attention to the connection between monsters and madness. From Mary Shelley’s Frankenstein to the Twilight films, among others, this course asks what we learn about our cultures and ourselves through the monsters we create.

What is Freedom? Kathleen Reeves

“What is Freedom?” surveys cultural works from the Renaissance to the present that are concerned with the nature of freedom, broadly defined. How is freedom achieved? Is it a quality or an action? How is it related to individuals and communities? Is freedom ever undesirable (do people ever desire to be free of freedom)? Possible texts range from Renaissance sonnets which ask how romantic love (or divine love) is related to freedom, to utopias, to paintings depicting national revolutionary struggles, to essays, visual art, and literature related to the many freedom struggles of the 20th and 21st centuries.

The Arts in Contemporary Society – HUMA 1315

Science Fiction in Literature and Media Arts, Jean Lauer

In this course, students will have the opportunity to delve into the genre of science fiction in a variety of media, from “classic” texts like Shelley’s Frankenstein to contemporary media including graphic novels, films, television, and other visual arts. Together the class will explore and discuss genre conventions, adaptations, diverse and global voices, and more.

Strategies for Diversifying Exhibition, Jean Lauer

An introductory course designed to enhance a student’s understanding and appreciation of the modes of communicating ideas and emotions through the visual and performing arts. This section focuses on how contemporary museums, festivals, and archives engage the public in arts and culture.